Wednesday, September 8, 2010
Shaker stuff
Monday, September 6, 2010
Frank Lloyd Wright June 8, 1867 – April 9, 1959
Frank Lloyd Wright was already well-know during his lifetime but it 1991 Wright was recognized as "the greatest American architect of all time" by the American Institute of Architects. During Wright's life he designed more than 1,000 projects in witch more then 500 were completed. Wright liked to use organic architecture witch is center around the idea that there should be a harmony between human habitation and the natural world through design. this can be seen in Wright's work Fallingwater. Fallingwater is listed among Smithsonian's Life List of 28 places "to visit before you die."Although Frank Lloyd Wright was best known for his architecture Wright was also an accomplished interior designer. Wright would often design furniture for each one of his buildings. like his buildings Wright liked his furniture to be organic. By this i mean he felt that the furnishings should be integrated organically with the space it was designed for. Wright believed that "Every chair must be designed for the building it will be in,"
Below is a picture of one of his best known chair designs.



This chair was made for the Wingspread house, designed for Herbert Johnson. This particular chair is made of cherrywood. The seat is leather. As you can see the curvature of the building is replicated in the curves of the chair making them a perfect match. I find this idea of organic design interesting and will keep it in mind when I design my table.

Saturday, September 4, 2010
Charles and Ray Eames
The influence of science and new technology were evident in their exhibition Mathematica: A World of Numbers...and Beyond at the California Museum of Science and Industry, their movie Powers of Ten, described on IMDB(Internet Movie Database) as a “scientific film essay”, their extensive work with IBM, and by the use of new building methods and materials in furniture. Ray's study of abstract art and the couple's interest in science also come across in the fascinating shapes of some of their chairs (especially those from the 50's and 60's). The chairs are very simple but have biomorphic shapes. Modern for their time, the chairs utilize molded plywood and plastics.
The Eames' believed they could improve the lives of people by making functional furniture/art that did not sacrifice expression and design. They even worked with the government to spread their art to the masses. Ultimately, the main attraction for me is this integration of function and design.
Because of all this research now I want these with a Ray Eames design pattern. :)
btw-please let me know if anything is inaccurate or doesn't make sense. thanks
Sam Maloof (1916 - 2009)
I did some research about Sam Maloof. The characteristics of his furniture look to be organic curves, classic elements and direct joins. Direct joining seems to be something he uses frequently and to great effect.
The main influences on his designs seem to be function and form, his designs evolved from classic furniture and his main goal is to create pieces that are pleasing to look at and use.
Friday, September 3, 2010
Josef Hoffmann (1870-1956)
Hoffman did a lot of houses, and appears to be known for chairs. He also did domestic furniture, some of which are still in use today. For example, his design for an armchair, the Kubus Armchair is still reproduced today. That armchair is very modern, which straight lines, and follows his tradition of heavily using squares.
Interestingly, he seems to have started his career creating installation spaces for a group of artists to which he belonged to.
George Nakashima and Nature


George Nakashima was describes by Janet Purcell from the Area Guide as “He was a spiritual man who cared about the soul of a tree and believed that a woodworker owed a sacrificed tree a noble life as a useful, beautiful object. He believed that each plank cut from a tree had only one ideal use and it is the woodworker’s responsibility to find that use and shape the wood to realize its true potential.”
His woodworks reflect his strong spiritual believes as well as his work ethic of traditional Japanese - discipline and patience, striving for perfection in every stage of construction. His woodworking design was typically “his large-scale tables made of large wood slabs with smooth tops but unfinished natural edges, consisting of multiple slabs connected with butterfly joints." They are simple and aesthetically remarkable.
Thursday, September 2, 2010
Shaker Simplicity



Hi all--
